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As someone with a BM in piano performance - I’m of the strong opinion that there’s a natural baseline and ceiling. Practice can only get you so far.


One of my high school piano friends went on to become a concert pianist. The difference between him and the rest of us was that music was everything for him - its what he did to relax, his social life, his hobby, his work, and his passion. There were, like, some months where music felt almost like that for me but for him it always did. I think there's no mysterious talent you have to have, just a psychological problem. if you get genuine fulfillment in all areas of life just by thinking about and doing music all the time, the ceiling is much higher.


Of course. I agree with you. You will only make it in that field if there’s literally nothing else you can imagine doing.

But there’s still a starting point and ceiling in intrinsic ability.

I’m curious why you think there’s no difference in inherent abilities? Some people are more “naturally” skilled at some things than others, at a baseline. You can look to see examples of this everywhere.

That doesn’t negate the dedication/sweat/tears of people who have high skill, but many of those people also started several miles ahead.


I guess it's too extreme to say there's no difference, I just don't love the explanation of there being some hard ceiling because it seems like the real process is incredibly uncertain and unpredictable. There's a million little skills you have to learn as a pianist and also many brief moments where you suddenly grow a lot because you finally grasped something important. In other words I feel like the "ceiling" gets broken every once and a while, and the thing that separates the great musicians is they get satisfaction doing it even during the extremely frustrating times where you're stuck at some ceiling. Which also helps them maintain hope and curiosity and see the next step forward when it does finally come. It feels like the ceiling is often a psychological one, not a natural one!


I agree with almost everything you’re saying.

I really love the “brief moments” part too. I believe growth (maturation, skill improvement, etc.) happens in discrete moments that is then reinforced by practice (or lost by the lack thereof).

> stuck at some ceiling… next step forward

Then they weren’t at their ceiling :) they were at a local minimum of optimization. And getting out of a local minimum is insanely rewarding, regardless of the skill.

And maybe you’re right - maybe there is no hard ceiling. But there are learning rates and diminishing returns involved. It might take me 10x longer to get from the 95% percentile than 96% percentile, and then 100x to get to 96.5%. (Obviously percentiles are quite abstract for art). Maybe we can always improve given the right practice and guidance, even if the improvement is marginal. I just define the marginal returns area as a “ceiling”.

But… all of this can co-exist with “natural” baselines of talent.

I hate to admit that I will never be as “good” of a pianist as Martha Argerich… but I just won’t be, no matter how much I practice. I also will never be able to run as fast as Noah Lyles, no matter how much I train.

And that’s ok.

I think there is a tendency to fight back against the idea of natural talent/skill because this idea can diminish the extreme hard work it takes to hone and develop talent.

Noah Lyles could outrun 99% of us without training, but he had to dedicate his life to beat the last 1%. Most people probably don’t realize/understand how much dedication it takes to climb that final mountain.

But “inherent” talent is still a real thing. If we knew “why”.

My final thought is that high baselines can often be counterproductive for growth. Anyway, thanks for chatting about this with me.


100% it's baseline, ceiling, and growth rate.

I switched from violin to voice and found more success with less effort.


Why not a Bbm?




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