I want to use Firefox on my phone, but it's UI is just so confusing - specifically the tab switching flow. When you try to switch tabs, the whole screen is replaced, the typically white background is replaced with a dark background, and the tabs are shown as tiny rectangles. And a very fast animation which makes my head spin. Why don't they just copy the tab switching from mobile Chrome?
They also have a new version of mobile Firefox, which will replace the current one at some point in the future. It's called Firefox Preview. I tried it, tab switching is acceptable, but now they moved the URL bar to the bottom of the screen. Why????? So I've uninstalled it and I'm back to Chrome.
Nobody is going to switch from Chrome to Firefox if the UI is radically different.
I switched back almost 10 years ago (because Google creeps me out), and the UI differences made it much harder.
I ended up tweaking firefox with extensions to make it look and behave like Chrome as much as possible, then gradually turned it back to the default UI. It made the switch far more pleasant.
Frankly I would, and do. I use mobile Firefox for its features like adblocking extensions and reader mode but it's always a less pleasant experience than mobile Chrome because it's less snappy and intuitive.
>Nobody is going to switch from Chrome to Firefox if the UI is radically different.
I've actually had a lot of success getting non-techie Android users I know to switch to Firefox when they found out that it has proper adblocking available via Ublock Origin. They're usually quite willing to learn a new UI if it means that they no longer have to deal with advertising infestations.
HN is a community. Users needn't use their real name, but do need some identity for others to relate to. Otherwise we may as well have no usernames and no community, and that would be a different kind of forum. https://hn.algolia.com/?sort=byDate&dateRange=all&type=comme...
your motivation to switch to Firefox was based on your willingness to support them over Chrome. The other poster is saying maybe you switched to Firefox from Chrome (presumably, you don't say if you were primarily Chrome prior) due to a preference for supporting Mozilla over Google, but how many users are going to be motivated by that to move the needle?
If you were using Chrome before, Mozilla was around before and their motivations were the same: why did you switch to Chrome in the first place? I'd imagine the motivations there are the ones that are most common (after all, Google ended up eating Firefox's and IE's lunch somehow).
> but how many users are going to be motivated by that to move the needle
1 is enough to disprove "Nobody is going to switch from Chrome to Firefox if the UI is radically different" which was my point. zazaraka is projecting their displeasure on a lot of people.
I personally like the url bar at the bottom of the screen because its easier to reach. I can understand how this being configurable would be important though.
> but now they moved the URL bar to the bottom of the screen. Why?????
Because on a phone, your thumbs are already down there. No need to stretch to reach the URL bar. I can see users switching to Firefox because of that convenience.
That isn’t how big companies work. The decision about what to use is up to the 5 or so developers working on an app. Microsoft doesn’t force specific languages or frameworks across all of their devs, and the native SDK devs are working on their own projects.
Based on other things MS is doing, it tells me they're hiring a lot of young developers who only know web tech and don't give a damn about the user experience.
At work, I have a very powerful computer because of resource hogs that work makes me use (Rails, Webpack, React, McAfee, Slack, Windows).
My private computer is much less powerful, but still runs noticeably smoother because I don't put any junk on it.
(I cannot, for the life of myself, figure out why applications on Windows cannot play audio consistently without jitter. Might be McAfee or some other corporate shit.)
It's not windows. If you stop everything from running on startup (which means looking in 6 different places) and your CPU is being cooled well, windows itself can run very smoothly.
The lack of vision at DSLR companies is mind boggling.
Why can't I do light editing and post to Instagram directly from the camera? Why can't download the photos directly to a phone? Why can't I charge from a micro-USB/USB-C cable?
I get it that pros don't need these features, but how hard are they to implement? The camera is already $1000+ dollars, how much more could adding a touch screen, a SIM card and a beefier CPU cost, when you have $100 phones with these features?
A lot of influencers would buy these cameras if they had a simple auto-mode (which disables most buttons and hides advanced menus) and upload to instagram feature. The workflow for using a DSLR to post to instagram is terrible, SD-cards, WiFi adapters, laptops, ... Not to mention that you need a lot of technical knowledge to hook everything up. No wonder few bother with the pain.
It's ridiculous that the most expensive cameras in the world can't connect to the number one place in the world where pictures are posted.
Most of the stuff you wrote can be done with modern cameras.
Canon, Nikon, Sony, Fuji et al have mobile apps with a variety of functionality depending on model. But all basically allow you to connect via bluetooth to GPS tag pictures and download them via Wifi to your phone, where you can 'directly post them to Instagram'. You can charge most modern cameras (Canon EOS R, Sony A7(R)III, Nikon Z6/Z7, Fuji XT-3(0) etc) with USB-C.
Canon and Nikon have great touch screen support, Fuji so-so, Sony horrible.
I am not saying everything is perfect. But it seems you haven't done research on modern cameras.
Trying to put a whole phone stack in there isn't the core competency of any of those manufacturers (except barely Sony, though a different division). It's not just "slap a SIM and a beefier CPU" in there. Camera CPUs are highly specialised. So you'd have to essentially put another phone in there. That adds BOM cost plus reasearch and development of folks without core competency. Issues with software updates, compatibility, let alone battery life. All so you can edit a picture on a tiny 3" screen to post a 4megapixel version of a 24-45Megapixel original image directly to instagram?
Zeiss is coming out with a phone just with everything you've described. They're late. It will be huge. It will be incredibly expensive. Not sure I'd want to go that route.
> Why can't download the photos directly to a phone?
I have Canon and Leica cameras, mid and high end, that do this.
> Why can't I charge from a micro-USB/USB-C cable?
There are cameras that will.
> how much more could adding a touch screen
Notably Sony stands alone in being the only major manufacturer _without_ touch.
> a simple auto-mode (which disables most buttons and hides advanced menus)
Not sure about other manufacturers, but this would be Canon's "creative" mode, available on (at least) entry levels) to the $3,000 body only 5D IV.
> and upload to instagram feature
> It's ridiculous that the most expensive cameras in the world can't connect to the number one place in the world where pictures are posted.
Agreed. And it's Instagram's fault. You can't upload to IG from your computer (without your browser pretending to be mobile). APIs for third party app-based uploads are near non-existent, and the people who _do_ try to maintain plugins to export to IG from Lightroom, etc., are constantly playing cat and mouse.
Not sure how this correlates to a "lack of vision from DSLR companies" - IG is actively hostile to uploading to IG from anywhere but its own apps.
It's a huge investment in software and hardware for an almost non-existent user base. Most current DSLRs already have Wifi or a Wifi option; those that don't can be fitted with a Wifi SD card. It turns out that hardly anyone actually uses that feature, because Wifi transfer rates are generally a more problematic bottleneck than the inconvenience of pulling the SD card and putting it into a card reader. The main users of Wifi tethering appear to be sports and news photographers, who do sometimes need to upload a photo right now.
Adding what amounts to an entire smartphone to every DSLR is simply madness - the kind of person who spends >$1000 on a bulky and complex camera is almost certainly the kind of person who has an Adobe Creative Cloud account; they're not going to post-process an image on the back of their camera through choice.
This is akin to people who said "why would you want computer-like features on your phone? Everyone who's willing to pay $500+ for a phone already has a laptop!"
A very large number of would-be content creators (not just Instagram, either - YouTubers also) want the higher image quality, dynamic range, optical zoom, interchangeable lenses, etc. of a full-body camera, but don't want to deal with the clunky interfaces and multi-step processes just to get your images/videos to a format, style, and place you want them. Yes, that's a subset of the market, but it's probably a bigger potential userbase than traditional "pure" photographers.
I think any video editing on a ~3in, sub HD screen on the back of a camera is going to be a horrible experience because of sheer logistics (UI, controls), rather than "vision-less manufacturers". Not to mention issues like slow media access speeds, horrible upload speeds, etc. I really don't think video editing on your camera is anywhere the market you think it is. Especially for people wanting "higher IQ, interchangeable lenses", etc. Apart from anything else, most of those people are dealing with B roll, intros, etc., or should the camera have to deal with that? And audio editing, or background music? I don't think this seems like much of an area where you can blame cameras. And it's certainly not a bigger market than "people who want to use a camera to take pictures".
> A very large number of would-be content creators (not just Instagram, either - YouTubers also) want the higher image quality, dynamic range, optical zoom, interchangeable lenses,
I also agree with you.
It seems that the most appealing features of modern DSLRs,
except fast autofocus, are hidden behind 90s interfaces with multi-button setups and so on.
Additionally, modern DSLRs must have appstore-like capabilities built into the camera (rather than into a phone device that attaches to camera).
This is where Nikon/Sony/Cannon/Panasonic/Olympus/Pentax(or whoever their new owners are) -- really need to come together with some standard API/interfaces.
I am somewhat disappointing that Samsung with their NX line exited the market, they had some interesting features that I would like to see licensed-for-free to other makers -- like lens based controls.
There is so much of unexplored UI real-state on the cameras, and opportunity for standardization -- that's is so sad to see complete lack of innovation from the dSLR makers.
I do not think vanilla mobile OSes are right platform for the camera... (because of the UIs).
If anything, I suspect these companies have the people (or could get them), but they have to change their culture across marketing/support/software engineering areas.
Not just how they do business, but how they hire.
A somewhat separate example: companies like Panasonic, while excelling at device engineering and manufacturing seem to be completely and utterly incompetent when building phone apps that control their own devices (in this example talking about home security products).
>It seems that the most appealing features of modern >DSLRs, except fast autofocus, are hidden behind 90s >interfaces with multi-button setups and so on.
What features are you referring to? Personally as someone who likes to take photos, I find the tactile multi-button/dial interface ideal and don't want a menu driven touch UI. It seems like some people want to co-opt a camera type made primarily for photography and turn it into a social media focused camcorder. I know the companies are trying to tap into that market but it feels like it is turning cameras into jacks of all trades and masters of none. I find the pricing obscene, but some current Leica models are stills only and have very elegant and simple interfaces designed purely for taking photographs. There are high quality cinema cameras all over to choose from. It seems people are pulling the DLSR/interchangeable lens mirrorless camera market in two different directions with opposing goals...photography vs social media/video production.
Overall -- the 'preview experience is not great, at all
-- this should be picture-in-picture kind of view.
Where I can have multiple settings previewed in different windows simultaneously, so that I can decide quickly which setting to choose, or click to take a 2 pictures, one for each setting...
I do not do much video, because I could not really figure out how to control auto focus selectively (when I want certain things in focus, and certain things out of focus as I pan)
My 14yo Lumix bridge camera can do Bracketing and Exposure compensation with a button press. Every DLSR I have used can with no look buttons and dials as well. I don't know about the flash sync as I never used that. What cameras are you using that the above things require menu hunting?
The multiple settings preview thing sounds interesting but isn't something I can see using myself. The video autofocus stuff is another example of why I don't like photography cameras being repurposed as camcorders, although I read dual-pixel AF and its equivalents are quite good. No personal experience though as I have no video interest really.
Most of the YouTubers to whom I subscribe, who produce video and mention or show the equipment they use to do so, turn out to be using Canon DSLRs. If you're already doing video production, the single additional step of pulling an SD card out of a camera and sticking it in a computer to pull your raw takes off isn't a high bar to clear.
With regard to Instagram, sure, you have a point. A DSLR-to-social-media flow doesn't have anything like the same ease of use as one involving a phone camera. But I'm willing to argue that the production values involved in being a serious Instagram influencer, and the degree of artifice that's necessary to that sector's pretense of an artlessly beautiful life, means the bar for switching to an interchangeable-lens system isn't as high as you think it is. Indeed, I'd be astonished if a significant segment of that crowd has not already done so.
All the serious guys are already using pro equipment - DSLRs with interchangeable lenses.
And they all have to cut and edit their video, because thats what they do.
So being able to edit on a 2" screen when you care about quality to the point where you're getting a DSLR doesn't make any sense, so it isn't implemented.
How many Instagrammers and YouTubers do you personally know? How many conversations have you had with them about their needs, preferences and workflow? Have you ever done a direct image quality comparison between an iPhone X and a mid-range DSLR?
> the kind of person who spends >$1000 on a bulky and complex camera
I'm talking about opening up a new market - instagrammers, who already spend money on ring lights, tripods for their phones, but who don't want to learn all the intricacies of using a DSLR camera + adapters + laptop.
The DSLR camera makers focus on a constant/shrinking market of pros, while totally ignoring a booming Instagram market.
>I'm talking about opening up a new market - instagrammers, who already spend money on ring lights, tripods for their phones, but who don't want to learn all the intricacies of using a DSLR camera + adapters + laptop.
The people who don't want to learn the intricacies of photography just use their phone. Unless you learn those intricacies, your phone will reliably take better images, because Apple have spent stupid amounts of R&D money on optimising their image post-processing.
The better lens and sensor on a DSLR is essentially irrelevant to Instagrammers, because the limitations of phone camera hardware are barely visible on a 6" phone screen in typical shooting scenarios. The point of using a DSLR-type camera is to gain more control over the imagemaking process. Unless you actually learn something about photography, that extra control is just an array of footguns. Faffing about with cables and cards is utterly trivial compared to pretty much any aspect of serious photography.
>The people who don't want to learn the intricacies of photography just use their phone. Unless you learn those intricacies, your phone will reliably take better images, because Apple have spent stupid amounts of R&D money on optimising their image post-processing.
Every SLR I've seen has an Auto mode. You don't need to know intricacies to put it in that mode and leave it there forever.
I don't know why people keep parroting that an iphone is capable of comparable images to an SLR, it's just not true.
Even on Auto everything and with the result shrunk down to 2 Megapixels, an SLR will take much more pleasing images. The short depth of field will be very noticeable. In anything close to lower light the difference will be astronomical. Like a nice image instead of a blurry mess that you immediately delete.
Yes, the differences will be noticeable on a phone screen. DOF makes a massive difference to the overall image.
You can't get around physics and the weight and size of those lenses are tolerated for a good reason. If it was only about control then you there would definitely be camera phones with all the functionality of SLRs.
When the lens is so hopelessly tiny there's no point trying to control anything else because you will hit the limits of the lens/sensor in basically any situation. You can't open the aperture wide enough to get a pleasing DOF, and you don't have enough leeway to control shutter speed. And forget about zooming. All of those things are advantages because of the larger lenses, and are the difference between nice photos and, well, cameraphone images.
I would definitely think Instagrammers, with their endless vanity, would be interested in anything that makes their photos more appealing.
After all the resizing, compression, and filtering artifacts are applied, I imagine the high price and inconvenience of the additional gadget would be a difficult obstacle to overcome for almost negligible difference in picture quality. DSLRs, even those from the mid 2000s take gorgeous pictures compared to even the best smartphones today, but that difference barely shows on an Instagram feed.
I think that huge investment is going to pay off several times over for whichever company is willing to make it. Canon and Nikon each share almost 50% of this market because their offerings aren't much different from one another. A DSLR that has the same functionalities, software magic and ease of use as a phone would be a game-changing product. Right now phone cameras are so far ahead technologically but permanently held back by physical form-factor. The only thing preventing camera companies from matching them is making massive investments in their software divisions.
The user base would be everyone who buys <$1000 crop sensor cameras, which is already significant. This includes parents taking photos of their kids playing sports from across the field, (un)official school photographers, Instagram boyfriends, all non-pro photographers who need separate telephoto lenses. Improving ease of use would expand this market greatly since the main barrier to entry is learning how to use a DSLR.
Using a relatively crappy camera on a phone, they were able to get great results merely because they can program it.
As a simple example: I want to reduce high ISO noise by taking N photos and taking the median. This is an established technique in photo editing. Why do I have to manually tell the camera to take those N photos (and make sure autofocus and autoexposure is not enabled), and then transfer N images, and then load a program to do the median calculation for me? Why can't I create a plugin/app for my camera where I just input the number of photos and it does it all for me?
I think any camera manufacturer that makes an API available for their cameras could see a serious boost. People no longer have to rely on the company deciding what cool features to add.
There's really not been any serious innovation in DSLRs in over a decade. Pentax occasionally comes up with something neat, but that's about it.
Casio had some cool features on their "High Speed" cameras. eg the EX-100 and before it the FH-100. It can buffer photos at 40fps while you half-hold the shutter, and then when you fully press the shutter, it will save a certain number of those frames from even before you fully depressed it. Great for catching, eg a bird taking off, or a sporting event.
It was an amazing feature but Casio has sadly exited the camera market now, and I haven't seen another camera with the same kind of feature.
You can't do that because no one is building general-purpose computers into DSLRs - or, for that matter, MILCs - because no one cares about that use case, and the resources wasted on making it possible are better spent on supporting the things that photographers expect cameras to do.
That said, you probably could do something like that with sufficient effort invested in CHDK or Magic Lantern or whatever the current homebrew Canon firmware project is lately. I'll be fascinated to see what you come up with!
>because no one cares about that use case, and the resources wasted on making it possible are better spent on supporting the things that photographers expect cameras to do.
No one except all the people who are using smartphones instead of DSLR's, causing a decline in sales?
And what do you mean "no one cares"? The use case I've provided are precisely ones that "real" photographers care about. The amateur non-hobbyist photographer isn't going to want to do stacking on photos. The serious hobbyist/professional is.
CHDK and Magic Lantern are great. My problem is that I don't use a Canon :-) But even if I did, I assume these are all unofficial? The idea is for the manufacturer to have official APIs. Now of course, it does make it more likely one will reduce the lifetime of a camera with a poorly written plugin (e.g. one that wildly keeps using the focusing motors), but they can simply say the warranty is voided if you install custom firmware/plugins.
Yeah, I mean, I do exposure stacking sometimes too, when I'm goofing around trying and failing to get good at landscape photography, for example. Sure, it's a bit of extra work to produce a finished shot. But it's not so much extra work that I've ever wanted to write code against an API built into my camera to do it for me, especially not when software tools already exist that let you load a set of images and then more or less automatically stack them for you. The same is true of macro focus stacking, which is a lot more work when done by hand. And I'm a lot happier with the idea of paying $50 or $100 for an application I run on the general-purpose computer I already own to do this kind of work, than I am with the idea of cramming a general-purpose computer into a camera that will not be a better camera, and may well be a worse one, for the addition.
(I don't shoot Canon either, and yes, the homebrew firmwares are homebrew and thus not officially supported. I don't really know what effect they have on the warranty, but based on things I've heard, I think people just reflash bodies with stock firmware before shipping to the service center and it's basically fine.)
It's also worth noting that smartphones and ILCs don't compete directly any more. They never really did; once smartphones with good enough cameras to take casual snapshots and family photos started happening, ILCs were done in that market. Since then, they've been specializing toward those markets where they don't have to compete against smartphones. You're more or less suggesting that they do the opposite, and I don't know if you realize that the reason they're not already doing that is because they got murdered the last time they tried it and they're not in a hurry to get murdered again.
> Why can't download the photos directly to a phone?
You can on some cameras (e.g. Canon 80D), but it’s somewhat cumbersome and eats batteries at a fantastic rate because the camera hosts its own WiFi access point.
My D500 also has no problem doing this via SnapBridge. It was total crap when it launched (the app, the D500 was stellar from the offset) but has been gradually improving.
It’s amazing how many replies are poo-pooing your thoughts yet the financial reports demonstrate they are wrong.
I have a good expensive DSLR that I haven’t touched in more than a year. Why? Cause the workflow stinks compared to my phones camera.
- I have to remove the SD card
- I have to bring out my computer and pop in the card
- I have to sync it into Lightroom, which keeps all the photos in a totally different bin than all my smartphone pictures.
- once I’m done dinking with the photos, I have to export the ones I like and import them back into the Photos app, which ensures it shows up on my TV
- I’ve got to post it to FB/instagram.
- I’ve got to nuke the card to free up the space
- put it back into the camera
That is just enough of a hurdle that it keeps me from lugging the damn thing with me on trips.
Seriously. I’d love to use my DSLR more. It takes way better pictures. It just doesn’t integrate worth a damn into my computing infrastructure anymore.
I think there is a untapped market for some higher end camera with interchangeable lenses that can seamlessly integrate with a modern workflow.
Financial reports don't demonstrate anything. You're providing an explanation without actually demonstrating that the provided explanation is the real reason. A shrinking DSLR market has been predicted by analysts (and manufacturers too) for ages now. The primary reason that keeps coming up is that people simply don't want to carry yet another device when their smartphone does more than an adequate job for general purpose photography. More and more the advantage of a larger sensor and better optics is only realized in a small range of professional usecases - Sports/action/wildlife photography, low-light events/astro photography, printing massive billboards, etc, etc.
>I think there is a untapped market for some higher end camera with interchangeable lenses that can seamlessly integrate with a modern workflow.
Sure, maybe there is. The real question is.. is it a tiny $1-2 million market or a larger 100+ million dollar market.
The workflow you describe is not as unavoidable as you make it seem. I can plug my phone into my almost-decade-old DSLR, copy the photos over (and use the phone or even nicer a tablet as a larger extended screen), edit them in an app and directly share them through other apps if I want. If I didn't want the cable, I could get a WLAN-enabled SD card - or if I were to buy a current model camera, pick one with WLAN integrated, all major manufacturers have those now.
I would not want to edit photos on the camera, a phone or tablet is way more comfortable to hold for that.
You forgot one qualifier, the most expensive -professional- cameras. Different professionals have different needs. Every camera is designed with a usecase in mind. Off the top of my head professionals photographers need:
* rugged tank-like construction - 1D, 5D series mag-alloy bodies check, weather sealing - check
* reliable AF - check
* awesome battery life - check
* professional support services that can service/repair/loan products with a super-fast turnaround time for when you have a gig.. - check
* high quality optics - Canon L glass, check
* high res sensor for billboards - 5DSR check
* huge library of lenses - check, check and check
In all of those things Canon and Nikon (and even Sony to some extent) excel. I don't think the features you want are useless or provide no value, but you have to look at the bigger picture and take the entire market into consideration. People are using smartphones not just because DSLRs don't have certain features, its that they don't want to carry yet another device when their smartphone does an adequate job.
"Why can't I do light editing and post to Instagram directly from the camera?"
Because the computing resource, battery power, and physical volume spent on hardware Instagram integration detracts from what can be devoted to making the camera as good as possible at being a camera. You'd have to cram a smartphone in there, and everyone already has smartphones anyway.
And you can do light editing in-camera, if you want.
"Why can't download the photos directly to a phone? Why can't I charge from a micro-USB/USB-C cable?"
You can. Modern bodies have touchscreens, too.
And I don't want Nikon and Canon worrying about marketing to influencers, because influencers are a terrible market! I want them worrying about making and selling excellent cameras for the use of people who do need more than a phone camera or maybe a cheap camcorder can provide.
They already do, with their prosumer lines. Mommy bloggers, for example, have a surprising amount to say about how to get the most out of a Nikon D3300 or similar; I actually got some useful tips from them back when I was just starting out with my first D5300.
Granted, the camera makers haven't gone to the extent of just building a smartphone into a DSLR so you can post to Instagram with two taps, or whatever. IMO that's because they know where their strengths lie, and also understand that such a hybrid device would need a few generations to evolve into really solid usability - generations which it would not receive, because the same market at which it'd be aimed would consider the v1.0 difficulties a deal breaker for exactly the ease-of-use reasons you're arguing it would be a good idea for the camera makers to do this in the first place.
There is lack of vision/innovation in the actual photo-taking too.
All high-end phones take tens or sometimes hundreds of raw frames for every photograph, and then combine them to reduce noise and get more dynamic range than the tiny lens and sensor would otherwise provide. The combining process involves using a gyro to remove camera shake and optical-flow to undo the effect of anything moving in the scene.
As far as I know, no DSLR camera does this. You need to be able to take ~100 frames at 120fps or more, and either store it as RAW (ie. 10's of gigabytes of data), or process it realtime. Phones process it realtime on the GPU or with dedicated silicon.
An artmaking tool like the DSLR will still outlive Instagram. There will be a reaction against oversharing, ad-adjacency and other social media that leads to its demise, but nobody will oppose the mechanical, mirror viewfinder for any political reason.
I don't know...reading around it seems the mirrorless fans that dominate photography discussions REALLY hate mechanical shutters and optical viewfinders with some passionate fury. I feel like an old man shouting at clouds when saying I prefer DSLR.
When was the last time you bought a DSLR? My 2 year old low end camera (Canon T7i) has touch, HDR and send to phone. I shoot and send the photo to my camera then upload to Instagram all the time. Photos no longer collect dust on SD cards.
I agree, they aren’t innovating fast enough.
I would love getting rid of the mini USB charger. Why can’t cameras use micro usb like every other non-Apple usb accessory? Different power specs?
The HDR feature is so aggressive that it’s not really usable compared to my phone’s HDR. There should be a slider to pick how much HDR you want for each picture.
Most DSLR/Mirrorless cameras have functionality to send photos directly to an iOS or Android device. They've had features like that going back a couple of years tbh.
If people just want auto upload to instagram, they'll use a phone. The advantage of a proper mirrorless/DSLR is the insane power you get with RAW file editing in post.
I would like that "simple auto-mode" to be enabled with the power switch. When I turn the camera on, I might not have time to mess with settings.
That mode should turn off bit by bit as I make manual adjustments. If I adjust ISO and exposure, then the camera is left with aperture and shutter speed under auto control. If I turn the focus ring, then the camera stops doing autofocus.
Unless I am misunderstanding your wants you can already do that. Leave the camera's main control dial on Auto for the instant shot or P(rogram)...with appropriate auto ISO settings if so desired...to meet the requirements of your second sentence. When you power on you will be in the chosen mode. Some cameras/lenses do allow AF override but its a simple flick of a switch to turn MF on if not. This stuff is where buttons, switches, and dials outshine menus any day.
I don't want to have a main control dial or equivalent menu. It could be in the wrong position at power-on when I am in a hurry. I want the camera to always be fully auto at power-on, and I don't want to have to touch a main control dial to go into manual mode. Moving the settings should be enough.
Aside from focus, there are 4 user settings (ISO,shutter,exposure,aperture) to control 3 physical settings (ISO,shutter,aperture). It is thus overspecified. On power-on, the camera should control all of that. As soon as I have changed 3 user settings, the 4th is also determined and there is nothing left for automatic control.
If I change less than 3 user settings, the camera should automatically adjust the remaining settings. If I change 3 user settings, then the camera is in manual mode and the 4th user setting is determined by the other 3. If I then change a 4th user setting, there is a conflict which might be resolved by using the most recently adjusted 3 user settings.
Going back to auto mode is rare enough that it can be done by flipping the power switch twice, off then on. A menu item is also fine for this, but not needed.
Fuji (at least the X-T3 I own) doesn't have an explicit "Aperture priority, shutter priority, auto, manual" mode dial like most cameras. Instead it has physical dials for aperture, shutter speed and ISO. The dials have "auto" positions and the shutter and ISO dials can be locked in place.
So instead of aperture priority, you leave the ISO and SS dials in "auto" and change the aperture on the lens. If you care about the ISO, you can change that and it'll automate the shutter speed.
The main thing it doesn't do is default to full auto at power on. I frankly think that's insane and would never buy a camera that allows it. I don't trust auto to do what I need.
You might not trust auto, but don't you trust the previous manual setting even less? It could have been under completely different lighting conditions.
Suppose you are up in a high desert. At night, you take pictures of blossoms by starlight. The next day at noon, you spot an interesting and rare bird of prey quickly flying by while holding an interesting prey item. Quickly you flip the camera on and take a photo. Oh bummer, the camera was still configured for starlight, and you'll probably never have another opportunity for a similar photo. All pixels are white.
Anyway, thanks for the mention of Fuji. That sounds better than normal. Why can't you lock the aperture in place? Why do you need to lock something in place if there is a separate dial position for auto? (if not auto, isn't it locked?)
> You might not trust auto, but don't you trust the previous manual setting even less? It could have been under completely different lighting conditions.
Usually it'll be in similar lighting conditions because I shoot with my camera pretty continuously.
> Suppose you are up in a high desert. At night, you take pictures of blossoms by starlight. The next day at noon, you spot an interesting and rare bird of prey quickly flying by while holding an interesting prey item. Quickly you flip the camera on and take a photo. Oh bummer, the camera was still configured for starlight, and you'll probably never have another opportunity for a similar photo. All pixels are white.
This is unlikely to happen because I tend to shoot with my camera continuously. I'd have taken a photo of an interesting cactus long before I saw the bird.
That said, assuming I already had a super telephoto lens attached to the camera (which is the bigger problem, if I was shooting blossoms I probably wouldn't have the right lens attached), it'd take me less than a second to move the relevant dials on the Fuji to something acceptable. On the Sony that's not possible but that's just a sacrifice I make by shooting Sony.
And in this situation, I'd expect the auto settings to do something stupid like expose for the sky instead of the bird. For example the camera might choose low ISO, wide aperture, relatively slow shutter speed while I'd want max shutter speed, moderate ISO and whatever aperture works with the other two.
> Why can't you lock the aperture in place?
The lenses just don't come with a locking mechanism for the aperture wheel. It has some little clicks but that's it.
> Why do you need to lock something in place if there is a separate dial position for auto? (if not auto, isn't it locked?)
The lock is a physical mechanism to stop the dial from turning accidentally while in your bag or something like that. Otherwise even if you put it in auto when you put it away, a bit of jostling in its bag can turn the dial to a different setting, which can be an issue when auto is usually between the extremes.
Another department I doubt these traditional Japanese companies can catch up on is computational photography. I can take 5s handheld night time photos with adequate quality on a bunch of phones these days. There's still no way of getting anything useful out of DSLRs longer than 1/15s without tripods.
I'm not smart enough to do exact calculations with aperture, etc, but I think the amount of light taken in with a 1/15s exposure with a DSLR would be more than a 5s cameraphone image.
Just taking the area of the lens, say a 5mm diameter cameraphone lens is pi x 5^2=79mm^2 vs a DSLR, conservatively 60mm diameter is pi x 60^2=11309mm^2.
So 143 times the lens area, while your example exposure time is only 75 times more. So your example of a 5s exposure would be similar to a 1/30s DSLR exposure only based on lens area.
With the advantage of bigger sensor pixels and thus much better sensitivity, larger aperture, usually stabilization in the lens, and much, much less motion of the subject during that exposure as well, the DSLR still wins on absolutely everything except weight to lug around.
Ummm that's a really good point. Though numerically, the numbers are probably debatable.
Taking for instance a full-frame Canon 5D II and something like a Huawei P30 Pro on the back of a napkin. A full-frame sensor is 864mm2 and a 1/1.7in sensor is 43mm2. Huawei with a RYYB sensor has an ISO of 409,600 vs 6,400. The phone aperture is /1.6. Realistically, /1.6 glass would be too heavy, so let's call it /2.8.
The ratio would then be 20 (sensor size) * 0.0156 (ISO) * 0.57 (aperture) = 0.178x before AI kicks in for, say, another 75x more exposure time ~= 421x more usable light on the phone.
Based on super unscientific anecdotal experience between the 2 (since the human eye is logarithmic), it seems about right.
Whats wrong with a pseudo-random number generator? You start the universe with 1 million random bits and then just iterate your function on them. How would we detect repetition at the 2^1 mil level? Maybe the universe would repeat itself after a while, but how would we know?
Superdeterminism also plays nicely with the simulation hypothesis. You seed the virtual machine with some randomness and the physical laws and then you run the simulation.
I don't believe you'd need even a million random bits. It's conceivable that only a few random bits are actually required, and then let iteration take care of the rest.
There's nothing wrong with that. I just don't think people find it very useful as an organizing principle, so it doesn't attract a lot of attention.
So true. Just like high definition video or images.
This bill should also ban: large hero images, serving more than 500 KB of JavaScript, making more than 50 HTTP calls when loading a page, causing the fans to spin up when loading the page, unnecessarily using web fonts.
Banning these things would make the web so much better.
It'd be awesome to have an extremely lightweight protocol that lets you get the size or approximate size of a resource before download. Maybe a new HTTP method like SIZEOF.
But how to make it truthful? Other than client cutting off download at the expressed limit. Would that be good enough? And how to express "fuzzy" sizes like "at least 1MB but might be a little more or less".
I believe you want HTTP HEAD. It's defined to return the same response as a GET but without a body. You can therefore look at the Content-Length response header to see what actually issuing a GET will cost you.
The server should not return fuzzy content lengths: your client should have soft limit ranges rather than a single hard limit.
Of course, the server is not required to support HEAD, nor is it required to include Content-Length, which touches on your real complaint:
Programmers get to write programs the way they want to, and most of them don't share your value of preserving bandwidth and using progressive enhancement.
That is a relational and human problem. There is no technological solution to it.
> Yet where progressives argue for openness and inclusion as a cudgel against President Trump, they abandon it on Nob Hill and in Beverly Hills. This explains the opposition to SB 50, which aimed to address the housing shortage in a very straightforward way: by building more housing.
> What Republicans want to do with I.C.E. and border walls, wealthy progressive Democrats are doing with zoning and Nimbyism. Preserving “local character,” maintaining “local control,” keeping housing scarce and inaccessible — the goals of both sides are really the same: to keep people out.
> “We’re saying we welcome immigration, we welcome refugees, we welcome outsiders — but you’ve got to have a $2 million entrance fee to live here, otherwise you can use this part of a sidewalk for a tent,” said Brian Hanlon, president of the pro-density group California Yimby. “That to me is not being very welcoming. It’s not being very neighborly.”
Those MENSA members were truly fashion trend setters, as expected. The rest of world only now realizes how cool white socks with birkenstocks really are:
Apparently. Although, I have hung out at a lot of marinas and haven't seen that style yet. Must be because those people put their legs in the hoist gears and lose their leg (about 5 from the top).
You can find free online tests. They should take at least 30 min. Do 3-4 different ones to confirm you get about the same score (less than 5 points difference).
If you live in a big city, you can probably find a place to do it for less than $100.
They also have a new version of mobile Firefox, which will replace the current one at some point in the future. It's called Firefox Preview. I tried it, tab switching is acceptable, but now they moved the URL bar to the bottom of the screen. Why????? So I've uninstalled it and I'm back to Chrome.
Nobody is going to switch from Chrome to Firefox if the UI is radically different.